By Steven Jay Schneider
With a couple of million copies offered around the globe in twenty-four languages, 1001 video clips you need to See sooner than You Die celebrates the good and groundbreaking, vintage and cult, must-see videos of all time and gives a treasure trove of incisive, witty and revealing insights into the area of movie.
This newly revised and up-to-date edition of 1001 video clips is illustrated with countless numbers of wonderful movie stills, images and poster artwork, bringing jointly the main major videos from all genres, from motion to Western, via animation, comedy, documentary, musical, noir, romance, mystery, brief and sci-fi.
The choice comprises video clips from over 30 international locations and spans greater than a century of outstanding cinema. no matter if your ardour is rom-com or artwork residence, The Blue Angel or Blue Velvet, 1001 videos is the booklet for you.
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Additional resources for 1001 Movies: You Must See Before You Die (Updated Edition)
Security and teachers. This portion of the breakdown sheet serves as a reminder of when a scene requires additional personnel. Although security people and teachers do not appear in front of the camera, extra attention (and expense) is required when they are necessary. Teachers are always mandatory when shooting with minors, and security personnel may be needed under certain circumstances, such as crowd 28 Chapter 3 control, work with explosives, and so on. The conditions that, by law, require the presence of private security are well defined.
This person also might be mentioned under “Security/teachers”. In all matters that require special knowledge, the PM should not hesitate to talk to experts—special effects people, animal handlers, heads of departments, and so on. 20. Wardrobe. Only those pieces of clothing that stand out from the general wardrobe and that require special attention belong here. This includes items that may get damaged, stained, or wet, and that must be replaced to maintain continuity. 21. Estimated number of setups.
The PM should try to exploit the natural flow and order of operation at a location. For example, if one scene takes place on the front lawn of a house, another in the hallway of the same house, and a third in the kitchen, then the first scene shot should be on the lawn, the second in the hallway, and the third in the kitchen, even if the continuity 52 Chapter 3 of the screenplay is destroyed. This assumes that the crew has just arrived on location. If, however, the crew already has set up inside the house and will stay there for several days, then of course interior scenes should be scheduled before exteriors.