By William Deverell
A better half to the yankee West is a rigorous, illuminating advent to the historical past of the yank West. Twenty-five essays via professional students synthesize the easiest and so much provocative paintings within the box and supply a entire evaluation of issues and historiography.
- Covers the tradition, politics, and atmosphere of the yank West via sessions of migration, cost, and modernization
- Discusses local american citizens and their conflicts and integration with American settlers
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Additional resources for A Companion to the American West
Ronald C. Brown’s Hard-Rock Miners (1979) and Mark Wyman’s Hard Rock Epic (1979), it is true, both bring in something of the miner’s social world, yet the emphasis remains on working conditions below ground, and from that perspective the rise of unions feels proper and inevitable. And so it may have been. But by defining labor in large-scale industrial terms much of western working life is necessarily left out, and by centering it solidly in the context of unionization the temptation is to keep our attention on matters of ideology at the expense of other aspects that doubtless were more to the fore in these workers’ attention.
But the most untutored reader quickly sees that Smith is up to something else. His interest is in the West as mass dream. His crucial documents are not legislation and the correspondence of power brokers but works of popular literature. These provide a kind of script or blueprint for what usually are treated as central events – exploration, settlement, conquest, policy making. For Smith, the economic conquest of the West was driven by the peculiar expectations and illusions of what we call, a bit condescendingly, popular culture.
They carried their values and assumptions with them and projected them onto the lands they entered. Their mapping was a first step toward defining places, establishing their uses and arranging their peoples into an order defined by the explorers. William Goetzmann in Exploration and Empire (1966) first developed this theme of a West shaped by “programmed” explorers, a fresh term when Goetzmann wrote in 1966. He also showed how artistic expressions were vital documents in the creation of the West, including the illustrations accompanying government surveys.