Angelica (Samaria, Book 4) by Sharon Shinn

By Sharon Shinn

The nationwide bestselling writer makes her long-awaited trip again to Samaria. 200 years in the past, the god Jovah created a legion of land living angels, led by means of an appointed Archangel. Now, Jovah has a brand new appointee: Archangel Gaaron. For his life-mate, his Angelica, Jovah has selected a lady named Susannah. Slowly, an unstated affection develops among the 2. yet there's a negative hazard besetting the land-and the genuine hearts of Archangel and Angelica might by no means be identified.

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Additional info for Angelica (Samaria, Book 4)

Sample text

The same is true for science—examples are Roger Penrose’s “cosmic censorship hypothesis,” which denies the existence of a “naked” singularity as hole into the infinite, and Stephen Hawking’s attempts “to dethrone that primordial singularity by finding a probability function that describes the various states the universe could be in—a ‘wave function’ of the universe” (274). In all of these efforts, Benford perceives “the desire to find a deeper essence, a truer key that persists smoothly, that banishes the realm of infinity” (274).

Yet he does not accept the cyberpunk vision “of the coming world ruled by the impact of computers” (224). He dismisses cyberpunk as something equivalent to the contemporary French “cinéma du look”: “Thus we get film noir and pulp plots against a background taken mostly from the glossy aesthetics of magazine ads” (224). Generally laudatory of modernist “mainstream” writers, Benford rejects cyberpunk as a “literature of surfaces,” with little underlying meaning. He now turns to the SF critics themselves.

Its message for mankind lost in the infinities of matter is to seek a truth it will never wholly find, but only glimpse. And yet it is precisely because this scientific unknown is forever out of human reach that the scientist’s pursuit of these fragments of truth is so important. What is glimpsed is partial and fleeting. But it is the “wonder” of the glimpsing that spurs the scientist to seek further. As Claude Bernard describes it, this experience, if not religious, is certainly an aesthetic one.

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